Indian cinema has always held a fascination for history. Stories of empires, kingdoms, and warriors continue to inspire filmmakers who attempt to recreate those times on the big screen. Among the many historical dramas released in recent years, Ashutosh Gowariker’s Panipat (2019) stands out for its ambition. Known for grand period dramas such as Lagaan and Jodhaa Akbar, Gowariker once again ventured into history to narrate the story of one of the most decisive battles in Indian history — the Third Battle of Panipat fought in 1761.
The film, starring Arjun Kapoor, Kriti Sanon, and Sanjay Dutt, brought together themes of patriotism, bravery, betrayal, and cultural conflict. While Panipat opened to mixed reviews, it holds significance as one of the few Hindi films that attempted to recreate the Maratha-Afghan clash that shaped the subcontinent’s history.
This article takes a deep dive into Panipat, analyzing its historical context, storyline, cinematic execution, performances, music, reception, and legacy.
The battle was fought on 14 January 1761 between the Maratha Empire, led by Sadashivrao Bhau, and the invading forces of Ahmad Shah Abdali (Durrani), the ruler of Afghanistan.
This event reshaped Indian politics. The Maratha loss weakened indigenous resistance to British expansion, indirectly paving the way for colonial dominance in the subcontinent.
The film closely follows this historical narrative, with some creative liberties.
The film begins with the Maratha Empire’s glory under Peshwa Balaji Baji Rao (played by Mohnish Bahl). His cousin, Sadashivrao Bhau (Arjun Kapoor), emerges as a brave and loyal commander. Sadashiv wins battles, strengthens the empire, and falls in love with Parvati Bai (Kriti Sanon), the widow of Vishwas Rao. Their romance adds a personal dimension to the otherwise political story.
Meanwhile, the Afghan ruler Ahmad Shah Abdali (Sanjay Dutt) sets his eyes on India. Ruthless and ambitious, Abdali invades the northern territories, challenging the Marathas’ dominance. Recognizing the danger, the Peshwa sends Sadashiv to confront him, appointing him commander-in-chief of the Maratha army.
Sadashiv leads his army northwards, forming alliances with local rulers. However, political betrayals weaken the Marathas. The Rajputs, Jats, and other regional powers either hesitate or refuse to support them, leaving the Marathas isolated against Abdali’s well-prepared forces.
The climax showcases the Third Battle of Panipat. Despite being outnumbered and betrayed, the Marathas fight valiantly under Sadashiv’s leadership. Abdali’s forces eventually overwhelm them, leading to massive casualties. Sadashiv, though mortally wounded, dies a hero, leaving behind Parvati Bai in grief.
The film closes with Parvati narrating the tragic aftermath, emphasizing the Marathas’ bravery despite defeat.
Arjun Kapoor portrays Sadashivrao as a brave, principled leader who values honor above all. His performance emphasizes duty, loyalty, and patriotism. Critics noted that while Kapoor tried earnestly, his dialogue delivery sometimes lacked the fire expected of such a legendary figure.
Kriti Sanon shines in her role, bringing dignity and emotional depth to Parvati Bai. She is not just shown as a passive consort but as a supportive, intelligent partner who shares Sadashiv’s burdens. Her presence softens the film’s war-heavy narrative, balancing action with emotional gravitas.
Sanjay Dutt’s Abdali is menacing, ruthless, and regal. His portrayal as the Afghan invader adds intensity to the film. While some critics felt his screen presence could have been more dynamic, he successfully embodies the fear and ambition of Abdali.
The central theme is loyalty to the motherland. Sadashiv’s unwavering commitment to defending India, despite overwhelming odds, defines his character.
The film highlights how betrayal from potential allies weakened the Marathas. Political fragmentation becomes the reason for their downfall.
The romance between Sadashiv and Parvati underscores personal sacrifice. Their love story humanizes the otherwise war-driven narrative.
The conflict is depicted as more than just a territorial war — it is shown as a struggle to protect Indian identity from foreign domination.
Ashutosh Gowariker is known for grandeur, and Panipat reflects his strengths and weaknesses.
Despite these flaws, Gowariker’s vision ensures the film remains visually captivating.
Composed by Ajay-Atul, the music blends traditional Marathi folk with cinematic grandeur.
The background score, infused with dhols and traditional instruments, enhances the battle scenes and emotional moments.
Cinematographer C. K. Muraleedharan delivers sweeping visuals of deserts, palaces, and battlefields. The battle of Panipat is shot on a massive scale, with thousands of soldiers, horses, and war formations recreated with VFX. While some critics felt the CGI looked inconsistent, the overall spectacle is impressive.
Critics were divided:
Made on a budget of around ₹100 crore, the film collected only about ₹49 crore worldwide, making it a box office failure. Its underperformance was attributed to stiff competition from Pati Patni Aur Woh (released on the same day), slow pacing, and limited audience interest in historical epics at the time.
Panipat faced several controversies upon release:
These controversies impacted the film’s smooth release.
Though Panipat struggled commercially, it holds cultural importance:
Panipat is a film that blends grandeur with tragedy. While it may not have reached the heights of Gowariker’s earlier masterpieces like Lagaan or Jodhaa Akbar, it remains an ambitious attempt to depict one of the most decisive battles in Indian history.
The film teaches us valuable lessons — that unity is essential for survival, that betrayal can shatter empires, and that true patriotism lies in sacrifice. Sadashivrao Bhau’s courage, Parvati Bai’s devotion, and the Marathas’ valor make Panipat more than just a movie; it is a cinematic reminder of India’s rich and complex past.
In the end, Panipat resonates as a tribute to unsung heroes who gave their lives for the land, even when destiny denied them victory. Its legacy lies not in box office numbers but in its attempt to immortalize history on the big screen.